Positioning the song as the second track here allows Adele to prepare the listener for the emotional devastation that follows - there will be raw feelings after this radio-ready piano ballad, and she wants her audience to be gentle with them.Īs Adele seeks the opulence of adult temptation on “Oh My God,” the slinky production stomps into a siren call, with voices beckoning her toward satisfaction at the song’s conclusion. The woeful crooning on “Strangers By Nature” leads beautifully into the widescreen plea for understanding on “Easy On Me,” the smash first single from 30 that’s fully unlocked in the context of the album. “I created this storm / It’s only fair I have to sit in its rain,” Adele sings amidst playful vocal runs, piano sprinkles and bongo slaps. Within an album of breakup and post-breakup songs, “All Night Parking” provides Adele an opportunity to let her hair down and sink into an exciting new prospect, even from afar - the trumpet here serves as a nod back from a long-distance beau.įollowing “My Little Love” and its real-life tears, Adele gives us an abrupt transition into cheer-up mode on “Cry Your Heart Out,” which pushes forward with a Greek chorus of encouragement behind her and a doo-wop shrug toward the unknown. All Night Parking (with Erroll Garner) InterludeĬompact and subtly gorgeous, “All Night Parking” lets Adele supply her own call-and-response vocals as late jazz legend Erroll Garner’s piano serves as a backbone. Yet she picks herself up, thanks to encouraging piano stabs and a choir that’s credited to “Adele’s crazy friends” in the liner notes she transforms loneliness into solitary peace, sustains herself with gradual self-belief, and nails the big flare-up in the finale.Ĩ.
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The comedown from the fight on “Woman Like Me,” “Hold On” finds Adele exhausted in her self-defeat – “I swear to God, I am such a mess” is how the second verse begins. Her words sting, thanks in part to the lack of production flourishes: the song begins with sorrowful finger-picking, but ends with Adele calling back the chorus to hammer home the fact that she’s done with lowered expectations. On 30, that scene is “Woman Like Me,” which finds Adele at her most furious and spiteful as she lashes out at her man’s complacency and whiny disposition. “My Little Love” can feel claustrophobic as a confession, but Adele has never been bolder in her song construction.Īlmost every divorce film includes a shouting match, the unsettling documentation of why two characters are like oil and water.
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The effect is painfully intimate: amidst the stream-of-consciousness guilt and reckoning with the repercussions of an uncoupling, Adele answers her son’s questions about her feelings, then addresses herself while choking back tears. Voices echo like ghosts on “My Little Love,” before the aching humanity of Adele and her son, Angelo, is captured via voice notes that are placed within the song and then comprise its outro. Here is our humble opinion of the best songs on Adele’s 30:Īlthough the opening line of the album, “I’ll be taking flowers to the cemetery of my heart,” nods to the post-divorce project that follows, the lynchpin line is of the sweeping “Strangers By Nature” comes later, with “No one knows what it’s like to be us.” With a grand string arrangement and dreamy production, Adele gives us a window in the intimate problems of a timeless star, and offers a sorrowful melisma once the strings drop away. Adele’s new album was always going to be one of the most notable events in music this year, but a blockbuster release is rarely this emotionally affecting.Īlthough every song on Adele’s new album is worth diving into headfirst, we already have a few favorite. Although risks are taken with her sound - 30 includes some of the most dizzying uptempo songs of Adele’s career - they are bypassed by her commitment to lyrical honesty.